Al Young title

Archive for November, 2009

AWAY, AWAY, AWAY — WHAT DOES IT MEAN?

Wednesday, November 25th, 2009

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in memory of Andrea Lewis, 1957-2009

“When you flush the toilet, when you brush your teeth, the water just goes away. And nobody really thinks about where away is, but that’s where I work—where ‘away’ is.”
– Ingrid Hellegrand,
Orange County Sanitation District

(“Toilet to Tap” — Living on Earth, Public Radio International, 2008)

With no away, you can’t get lost or drown.
You can’t just disappear; you’re trapped right here.
This sticky, spidery web still holds its own.
What does it mean when we think far or near?

What do we do when we throw stuff away?
What happens when we flush? What follows what?
The other ends of dreams unfold. You stay
in place, right where you are, yes, you stay put –

or so you think. Imagine how the sun
felt back in feudal days, when we assumed
our earth was flat. Imagine everyone
asleep in such belief. What insight bloomed,

what twilight rose to open people’s eyes?
“I’m up here moving, folks,” the sun might feel.
“How long before you Christians realize
there’s more than gold that shines? Light shines for real.”

And where does sunlight go? What does it do?
Light feeds each breath we take, light circulates
and in its round-and-round produces you
and me and everything that jumps or waits.

Away, away, away — what does it mean?
To fly away means sailing out of sight,
but who or what is racing from whose scene?
Perspective reigns. Day never knows it’s night.

— Al Young

© 2009 by Al Young

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NEW NEA CHAIR ROCCO LANDESMAN: ‘ART WORKS’

Wednesday, November 18th, 2009

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Go to the monthly NOTE FROM BRUCE
Bruce W. Davis, Executive Director, Arts Council Silicon Valley

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Photo: Kathy Plowitz-Worden

NEA Chairman Rocco Landesman and National Council on the Arts member Lee Greenwood

Visit the current National Endowment for the Arts website, where you may read Chairman Landesman’s remarks in full — and much more

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US-FIRST LADY-METROPOLITAN MUSEUM © Stan Honda/Getty Images


“It’s time to change the NEA’s motto”

— Christopher Knight
(Culture Monster, L.A. Times, May 19, 2009)


Michelle+Obama+Cuts+Ribbon+American+Wing+Metropolitan+7u5QTiQs4Unl © Getty Images

First lady Michelle Obama and New York City Mayor Michael R. Bloomberg are joined by Met Museum President Emily Rafferty, Sen. Kirsten Gillibrand, Rep. Carolyn Maloney, and Rep. Charles Rangel at the ribbon cutting ceremony to officially re-open the Charles Engelhard Court, centerpiece of the newly renovated American Wing, at The Metropolitan Museum of Art on May 18, 2009 in New York City.

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BLACK NATURE: Four Centuries of African American Nature Poetry

Wednesday, November 18th, 2009

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New from the University of Georgia Press


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BLACK NATURE

Four Centuries of African American Nature Poetry
Edited by Camille T. Dungy

The natural world seen through the eyes of black poets

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dungy.camille © Ray Black

Camille T. Dungy is an associate professor in the Creative Writing Department at San Francisco State University. She is the author of What to Eat, What to Drink, What to Leave for Poison, and has helped edit two other poetry anthologies.

spkr-iconVisit Camille Dungy’s <<Fishouse Poems>>
audio archive of emerging poets

Button-Play-32x32Watch and listen to Camille T. Dungy at YouTube


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Reviews

“Dungy has compiled what might have taken a lifetime to assemble, yet here it is at this moment when our culture is assessing both its relationship to the natural world and its relationship with its black citizens. The timing could not be better for such a comprehensive look at what black poets have contributed to our understanding of nature. What excites about this anthology is that it is not only the richest and most comprehensive collection of poems by black poets I have read, it is the richest and most comprehensive collection of poems about nature that I have read. I believe the book should be widely read, taught, and talked about.”
—Alison Hawthorne Deming, author of Rope

Black Nature is the most exciting anthology of poetry I’ve read in years. In part this reflects the superb quality and remarkable range of Camille Dungy’s selections. But it also comes from her decision to organize the book’s contents into ten thematic “cycles” rather than chronologically. Each of the sections responds distinctively and dramatically to Lucille Clifton’s question with which Dungy frames the entire volume: “why/is there under that poem always/ an other poem?” This collection will quickly become essential reading for poets and scholars, as well as for courses on American poetry and the literature of nature.”—John Elder, author of Reading the Mountains of Home

Description

Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated.
Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry—anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild.

Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements.

Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole.

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AL YOUNG DRIVES TO PACIFICA TO DELIVER POEMS

Wednesday, November 18th, 2009

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Go to the Pacifica Tribune original

The Highway One Man

California Poet Laureate Al Young drives to Pacifica to deliver poems among the reads

By Jean Bartlett

Arts Correspondent

Pacifica Tribune November 18, 2009

Al Young 12 © Joseph Robinson

When Al Young was grilled several times to see if he was of the right caliber to take on the appointed position of California Poet Laureate, one of those interviews was a forty-five minute session conducted by Governor Schwarzenegger in the Governor’s smoke-allowable tent. State law prohibits smoking within 20 feet of a state building, so Arnold, at his own expense, created a tented spot in the courtyard where he could smoke cigars with aplomb while deciding on various issues.

“The Governor, seated with four advisors, all women, conducted the interview, puffing along and looking down on me,” laughed the genial Young.

Schwarzenegger recited Young’s poem, “Conjugal Visits” from The Sound of Dreams Remembered: Poems 1990-2000 by Al Young.

“The subtext of the poem is prison reform,” said Young, which the Governor informed the laureate candidate he supported. The Governor also quizzed Young on his politics, primarily because the previous appointed poet laureate, who was booted, had been somewhat of an embarrassment due to fabricating his education. Young told Schwarzenegger that all poetry was political, even when it opted to not make a political statement, in itself a political statement. To Young’s surprise and honor, he was appointed California Poet Laureate immediately after his meeting with the Governor.

Young served as State Poet Laureate from mid May of 2005 to November of 2008. (Longer than the two year assignment due to the various showdowns and slowdowns within the state’s legislature.)

This Sunday afternoon at 2 p.m., Al Young, world-renowned author, educator and Poet Laureate of California emeritus, will be among the poets presenting at Pacifica Performances Mildred Owen Concert Hall.

Dedicated to Mildred Owen, this is the 14th annual Pacifica Poetry Festival under the guidance of poet and festival director Anna Boothe. Along with Young and Boothe, this year’s featured poets are: Rod Clark, Camincha, Thomas Ekkens and David Hirzel. Ekken’s folk-music band “Green Tea” will open the Festival.

California requires its poet laureate to, “Provide six public readings in urban and rural locations across the state, educate civic and state leaders about the value of poetry and creative expression and undertake a significant cultural project.” The goal is to provide poetic arts to individuals who might otherwise have limited or no exposure.

Young, whose teaching résumé alone could fill a tome, has taught poetry, fiction writing and American literature at such educational venues as: Stanford, UC Berkeley, UC Santa Cruz, UC Davis, Rice University and San José State University. Honors include the Wallace Stegner, Guggenheim, Fulbright and National Endowment for the Arts Fellowships, two Puschart Prizes, two American book Awards and the PEN-USA Award. Plus he has written novels, collections of poetry, essays, memoirs and screenplays – the man’s oeuvre to date is somewhat of a jaw dropper. (Visit his website: http://alyoung.org.)

Nevertheless, Mr. Young might be the only one to point out that he wasn’t doing much when he was appointed to the state’s laureate position and so he did much more than what was “required.”

“I accepted all invitations,” said Young. “One of the things I did was tour with bassist Dan Robbins and we toured 36 places in 12 days: libraries, schools, fishing villages, juvenile centers – it was a wonderful experience.”

Born in Ocean Springs, Mississippi, now pretty much wiped out by Katrina, Young started reading when he was three. “My parents were very literate and they would read to us and I was mystified by this. I would look at their mouths and back at the page and pretty soon, I got it.”

(more…)

PAN AFRICAN FILM AND ARTS FESTIVAL 2010

Tuesday, November 17th, 2009

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SKIN in theaters now

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© Shon Smith for D’Angelo’s Photos

(Wed. February 11, 2009) Sandra Laing (middle), black woman born to white parents and subject of the new film Skin attends special screening at the 17th Annual Pan African Film & Arts Festival (PAFF) in Los Angeles. Laing is pictured with PAFF founder Ayuko Babu (left) and actress Alfre Woodard (right)

Pan African Film & Arts Festival Relocates Los Angeles Headquarters

After 10 Years, Festival Leaves the Baldwin Hills Crenshaw Plaza

The Pan African Film and Arts Festival (PAFF), America’s largest and most prestigious Black film and arts festival, has moved its Los Angeles headquarters from the Baldwin Hills Crenshaw Plaza to 6820 Latijera Boulevard Suite 200 Los Angeles, CA 90045.

Our new phone number is 310.337.4737 and the fax number is 310.337.4736.

For more information, please visit www.paff.org

Currently wrapping up film submissions for its 18th Annual signature event taking place February 10-15, 2010 in Los Angeles, the PAFF was established in 1992 as a non-profit corporation dedicated to the promotion of cultural and racial tolerance and understanding through the exhibition of film, art and creative expression.

It is PAFF’s goal to present and showcase the broad spectrum of Black creative works, particularly those that reinforce positive images and help to destroy negative stereotypes. We believe film and art can lead to better understanding and foster communication between peoples of diverse cultures, races, and lifestyles, while at the same time, serve as a vehicle to initiate dialogue on the important issues of our times.

Please visit us online at www.paff.org

PAN AFRICAN FILM AND ARTS FESTIVAL

6820 Latijera Boulevard Suite 200

Los Angeles, CA 90045

Phone: 310. 337.4737

Fax: 310.337.4736

Email: info@paff.org

PAFF team profiles

PAFF 2009-2010 calendar

JESTHERENT.com reviews the 2009 Pan African Arts and Film Festival

U.K. Guardian reviews Skin

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Poitier@PAFF

Photo courtesy of PAFF Archives

Ayuko Babu greets Sidney Poitier

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Pan African Film & Arts Festival invites you to see
THE END OF POVERTY?


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Button-Play-32x32 Trailer for THE END OF POVERTY?


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