Al Young title

Archive for January, 2010

Gloria Vando: NOTHING IS WASTED

Monday, January 18th, 2010

____________________________________________

gloria-vando Courtesy photo
American-Elm-Tree-branches © civilianism.com


NOTHING IS WASTED


The elm outside my window
endures a slow death,
giving life to the downy
pecking at the insects
destined to destroy it.

My young cousin, consumed
by cancer cells, nurtures
her unborn child, her body
a conduit of nourishment
and love as it withers
around its healthy seedling.

Nothing is wasted.

The poet confined in solitary
writes his story on the walls
of his cell, dipping his fingers
in the inkwell of his
self-inflicted wound, his words
spiraling a revolution
that begets a new generation
of freedom, of hope.

My friend, Earl Robinson,
once asked me to “use” him—
for what is more pitiable,
he added, than a useless thing?

And I in turn ask you to use me.


Gloria Vando

© 2010 by Gloria Vando

____________________________________________

In her Promesas: Geography of the Impossible (1993), the Nuyorican poet Gloria Vando contests the dominant ideologies and national mythographies in Puerto Rico and the United States. Interlacing the lyrical and the confessional with the political, Vando positions herself on the outside of the pedagogical narratives of nationalism in both insular and metropolitan spaces. Rather than simply embrace a sense of belonging to both places, cultures, and nations at once, Vando chooses to belong ni de aquí, ni de allá (neither here, nor there). Out of her sense of marginalization as colonial, feminist, and (second-class) citizen, Gloria Vando reconfigures the limits of both national and diasporic discourses and redefines their traditional referents and articulates alter/native narratives of identification, dislocated yet unwilling to assimilate.
– Khader, Jamil,
Decolonizing the Commonwealth: A Postcolonial Reading of Gloria Vando’s Promesas: Geography of the Impossible

____________________________________________



DR. MARTIN LUTHER KING, JR. ~ January 15, 1929 – April 4, 1968

Friday, January 15th, 2010

_________________________________________

MLKsmall_bw

First Martin Luther King Centre outside the United States to open in The Hague in the Spring of 2010

rnw

-


©
The Dr. Martin Luther King, Jr. Research and Education Institute
(Stanford University)


HAPPY BIRTHDAY TO YOU

Realistic_candle Click right here

38px-Speaker_Icon.svg Stevie Wonder ~
Happy Birthday to You

38px-Speaker_Icon.svg Rediscovered tape of MLK address broadcast
during his historic 1959 visit to India with Coretta Scott King

MartinLutherKingIII
© Gurinder Osan ~ Associated Press

Martin Luther King III, center, pays tribute to Mahatma Gandhi at a memorial in New Delhi as Rep. Al Green (D-Texas) and wife Arndrea Waters King look on.

(Courtesy Washington Post)


38px-Speaker_Icon.svg Dr. Martin Luther King ~
Why I Am Opposed to the War in Vietnam

mlkjrstamp Clickable

mlkfoia

_________________________________________

header1

38px-Speaker_Icon.svgKing’s Last March
~ the 55-minute audio-documentary from American RadioWorks

<< mp3 podcast download >>

38px-Speaker_Icon.svg Dr. Martin Luther King
“I Have Been to the Mountain Top” ~ Memphis: April 3, 1968

wikipediaThe assassination of Dr. Martin Luther King, Jr.



MLKPolicePic
Historic mugshot taken following the arrest of bus boycott organizer Martin Luther King at age 27
~ Montgomery, Alabama, February 1956

_________________________________________

metta ctr banner

MLK-300x259 gandhi

Resources of talks, speeches, texts, photographs, and other links to the legacy and understanding of Dr. King’s mission

_________________________________________

WESHALLI

We Shall Overcome
a documentary narrated by Harry Belafonte
(available from California Newsreel)

_________________________________________


ENTER WINTER

Friday, January 8th, 2010
____________________________________________________


CIMG2111 P1010300 IMG_0294 © AlYoung.Org

____________________________________________________

P1010330 Photo: Ray Black

L-R: Poets Camille Dungy, Robert Chrisman, Jayne Cortez, Al Young, Melba Joyce Boyd, Conyus, Arthur Sheridan, and (seated) Adam David Miller — following the 40th anniversary celebration reading for The Black Scholar Journal at the University of California, Berkeley ~ November 2009


IMG_0257 © James Kenyon

On a 13-degree Fahrenheit night, poet-playwright Bill Harris and popular poet and arts activist Terry Blackhawk talk weather and shop while the audience gathers at Detroit’s restful, beautiful Virgil H. Carr Cultural Arts Center in December, 2009.


IMG_0252_1 © James Kenyon

Meanwhile, Al Young and a jetlagged Melba Boyd — just back from a teaching stay in Shanghai and visit to San Francisco — complete some unfinished business before the show (A Night of Poetry, Jazz and Blues in Detroit’s Historic Paradise Valley) begins.


IMG_0265 © James Kenyon          IMG_0270

The gig begins with Melba Boyd — Detroit born and bred — reading and reciting a suite of exciting home-triggered poems layered with blues-tinged helpings of master bassist Marion Hayden‘s joy.


Al Young reading 12-10-2009 8-27-12 AM © James Kenyon         IMG_0253_1

Populist poet and master of ceremonies M.L. Liebler greets renowned guitarist-poet Ron English who, with Marion Hayden, will collaborate with Al Young, now poised to kick off his set.


IMG_0288 © James Kenyon

Nata Morozova, the videographer focusing here on saxophonist Faruq Z. Bey, journeyed to Detroit all the way from Siberia, where Bey — as a member of M.L. Liebler’s Magic Poetry Band — has often performed.


IMG_0278 © James Kenyon

After Al Young opens with “The Art of Benny Carter,” his brief poetic tribute to the humanizing majesty of jazz, Ron and Marion slip eloquently into Carter’s classic ballad, “When Lights Are Low.”

IMG_0262 © James Kenyon

Like all true artists who work with sound and song, Bill Harris listens as thoughtfully as he speaks or sets pen to paper — or fingers to keyboard.


IMG_0283 © James Kenyon

Bill Harris reads from Birth of a Notion; Or, The Half Ain’t Never Been Told, forthcoming from Wayne State University Press.

IMG_0294 © James Kenyon

Melba Boyd and Faruq Z. Bey in rapt response to the poetry Bill Harris is voicing.


Viv NC Winter © Vivian Torrence

December paints North Carolina

____________________________________________________

tools_2

SECTION UNDER CONSTRUCTION

____________________________________________________

THELONIOUS MONK: The Life and Times of An American Original ~ Robin D.G. Kelley

Thursday, January 7th, 2010
_________________________________________________
Nellie clicks
MonkNellie © David Gahr |Time
NELLIE SMITH MONK
(1921-2002)

monkmom_sq The Women Who Made Thelonious Monk
~ Walter Ray Watson

_________________________________________________

Read an excerpt

MonkKelleyCvr Clickable MonkBook.com

© Michael Ochs Archives/Getty Images

THELONIOUS MONK: The Life and Times of An American Original. Robin D. G. Kelley, Free Press, October 2009, 608 pages, hardcover,  ISBN: 0684831902 2009, $30.

monk&trane@fivespot
Photo © Don Schlitten
38px-Speaker_Icon.svg
L-R: John Coltrane, tenor saxophone; Shadow Wilson, drums; Thelonious Monk, piano; and Ahmed Abdulmalik, bass ~~ the Five Spot, NYC, 1957

_________________________________________________

From the publisher’s site:

“The piano ain’t got no wrong notes!” So ranted Thelonious Sphere Monk, who proved his point every time he sat down at the keyboard. His angular melodies and dissonant harmonies shook the jazz world to its foundations, ushering in the birth of “bebop” and establishing Monk as one of America’s greatest composers. Yet throughout much of his life, his musical contribution took a backseat to tales of his reputed behavior. Writers tended to obsess over Monk’s hats or his proclivity to dance on stage. To his fans, he was the ultimate hipster; to his detractors, he was temperamental, eccentric, taciturn, or childlike. But these labels tell us little about the man or his music.

In the first book on Thelonious Monk based on exclusive access to the Monk family papers and private recordings, as well as on a decade of prodigious research, prize-winning historian Robin D. G. Kelley brings to light a startlingly different Thelonious Monk — witty, intelligent, generous, politically engaged, brutally honest, and a devoted father and husband. Indeed, Thelonious Monk is essentially a love story. It is a story of familial love, beginning with Monk’s enslaved ancestors from whom Thelonious inherited an appreciation for community, freedom, and black traditions of sacred and secular song. It is about a doting mother who scrubbed floors to pay for piano lessons and encouraged her son to follow his dream. It is the story of romance, from Monk’s initial heartbreaks to his lifelong commitment to his muse, the extraordinary Nellie Monk. And it is about his unique friendship with the Baroness Nica de Koenigswarter, a scion of the famous Rothschild family whose relationship with Monk and other jazz musicians has long been the subject of speculation and rumor. Nellie, Nica, and various friends and family sustained Monk during the long periods of joblessness, bipolar episodes, incarceration, health crises, and other tragic and difficult moments.

Above all, Thelonious Monk is the gripping saga of an artist’s struggle to “make it” without compromising his musical vision. It is a story that, like its subject, reflects the tidal ebbs and flows of American history in the twentieth century. Elegantly written and rich with humor and pathos,Thelonious Monk is the definitive work on modern jazz’s most original composer.

_________________________________________________

RobinDGKelley © Lisa Gay Hamilton

Robin D.G. Kelley is a professor of history and American studies and ethnicity at the University of Southern California. From 2003-2006, he was the William B. Ransford Professor of Cultural and Historical Studies at Columbia Univeristy. From 1994-2003, he was a professor of history and Africana Studies at New York University as well the chairman of NYU’s history department from 2002-2003.

One of the youngest tenured professors in a full academic discipline — at the age of 32 — Kelley has spent most of his career exploring American and African-American history with a particular emphasis on African-American musical culture, including jazz and hip-hop.

Books by Robin D.G. Kelley

_________________________________________________

19552_1294686617740_1547576221_30755546_2110468_n

Photo © Scott Friedlander

Robin D. G. Kelley, piano; Christine Bard, drums; Ras Moshe, pocket trumpet; Roy Campbell, Jr., tenor saxophone ~~ Thelonious Monk Book Party, The Brecht Forum, New York City, October 8, 2009

_________________________________________________

Praise for Thelonious Monk: The Life and Times of an American Original

“Robin Kelley’s new biography Thelonious Monk: The Life and Times of an American Original is a breath of fresh air among the biographies of our legendary jazz musicians. This book is thorough, detailed, and written with a true affinity for Monk’s humaneness and creative musical output. It fills in the missing pieces about the growth of the jazz scene in New York through the forties, fifties, and sixties, detailing each step of Monk’s development — who passed through his bands, what gigs he played, and what happened on those scenes. It’s an invaluable and close look at the center of the world’s most important creative musical developments in those decades: New York City.”
CHICK COREA

Thelonious Monk: The Life and Times of an American Original is one of the most anticipated books in jazz scholarship, and well worth the wait. Robin D. G. Kelley represents one of this generation’s most important voices equipped with the knowledge, passion, and respect for both jazz and jazz musicians required to interpret the many details and nuances of Thelonious Monk’s life. This compelling book will both challenge old assumptions and inspire new assessments of the life and legacy one of the world’s greatest musicians.”
GERI ALLEN, pianist, composer, and Associate Professor of Jazz & Contemporary Improvisation, University of Michigan

“Powerful, enraging, and enduring. … In Robin Kelley’s finely grained and surely definitive life-and-times study, Thelonious Monk, an American original, has found an original biographer.”
DAVID LEVERING LEWIS, biographer of W. E. B. Du Bois and Pulitzer Prize winner

“An honest and eloquent treatment of one of our most important artists, Thelonious Monk: The Life and Times of an American Original is a stunning tour de force! It is the most comprehensive treatment of Monk’s life to date. Furthermore, in Monk’s story, Kelley has found the perfect medium to shed light on a nation’s, and a people’s, history and persistent quest for freedom. In so doing he has given us a book that is as bold, brilliant, and beautiful as Monk and his music.”
FARAH JASMINE GRIFFIN, author of If You Can’t Be Free, Be a Mystery: In Search of Billie Holiday

(more…)

JOYCE JENKINS & KATHERINE HASTINGS READ JANUARY 12th AT ALBANY LIBRARY

Tuesday, January 5th, 2010

____________________________________________


Poetry at the Albany Library

ALBexterior

Featured Poets

Joyce Jenkins & Katherine Hastings

2nd Tuesdays: Featured Poets and Open Mic  mic-2-icon

Tuesday January 12, 2010 7:00 – 9:00 p.m.

Joyce Jenkins Courtesy AlYoung.Org

Joyce Jenkins, author of Portal (introduction by Carolyn Kizer), and
Joy Road, a limited edition chapbook, has read her poetry across the
country. Her poems have appeared in numerous literary publications,
including Parthenon West Review, speechlessthemagazine.com,
ZYZZYVA, Berkeley Poetry Review, The Addison Street Anthology:
Berkeley’s Poetry Walk
, and Petaluma Poetry Walk 10-Year
Anthology: 1996-2005
. Her poem “Piano Man” is part of the Addison
Street Poetry Walk in Berkeley.

Jenkins is the editor/publisher of PoetryFlash magazine and PoetryFlash.org., California Book Reviewers/Northern California Book Awards. She received the American Book Award in 1994 and the PEN Oakland Josephine Miles Literary Award for Lifetime Achievement in 2006. The City of Berkeley named June 6, 2009 “Joyce Jenkins Day” in honor of the Berkeley Poetry Festival Lifetime Achievement Award.

feather_web_pic © C.J. Rayhill

Katherine Hastings hosts WordTemple on Santa Rosa, CA’s NPR affiliate KRCB FM and is the founder of the WordTemple Poetry Series in Santa Rosa. Her own poems have been widely published in anthologies and literary journals, including the Comstock Review, Rattle, Parthenon West Review, CALYX, and Golden Handcuffs Review. She edited San Francisco Bay Area Women Poets for Big Bridge, an anthology with contributions from major Northern California poets.

Hastings’ chapbook, Sidhe (pronounced SHE), was published by dPress. Her book Updraft (Finishing Line Press) is due out in the summer of 2010. Hastings received her MFA in Writing from Vermont College.  She grew up in San Francisco and lives in Sonoma County with her partner and with her Chihuahua, Gizmo Federico García Lorca.

Produced by Catherine Taylor

Partially funded by Friends of the Albany Library. The library is wheelchair accessible and wil provide an ASL interpreter
with 7 working days notice. Cal 510-526-3720 or TYY 510-663-0660. Produced by Alameda County Library, Albany

www.aclibrary.org

Albany Library
1247 Marin Avenue
Albany, CA
510.526.3720

____________________________________________

photo