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Archive for the ‘What’s at Stake’ Category

The Tucson Unified School District book ban and Arizona’s shutdown of ethnic studies

Friday, February 24th, 2012

Book-banning has a distasteful history. Catholic priests burned Mayan books in 1562, Nazi Germany banned 4,100 or so books from 1933 to 1939.

Winona LaDuke
(“To the Women of the World: Our Future, Our Responsibility,” an essay)

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Debate: Tucson School’s Book Ban After Suspension of Mexican American Studies Program, Pt. 1
<Democracy Now>

Debate: Tucson School’s Book Ban After Suspension of Mexican American Studies Program Pt. 2
<Democracy Now>

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Courtesy Salon.com

Friday, Jan 13, 2012 2:47 PM PST

Who’s afraid of ‘The Tempest’?

Arizona’s ban on ethnic studies proscribes Mexican-American history, local authors, even Shakespeare


BY JEFF BIGGERS
Salon.com

As part of the state-mandated termination of its ethnic studies program, the Tucson Unified School District released an initial list of books to be banned from its schools today.  According to district spokesperson Cara Rene, the books “will be cleared from all classrooms, boxed up and sent to the Textbook Depository for storage.”

Facing a multimillion-dollar penalty in state funds, the governing board of Tucson’s largest school district officially ended the 13-year-old program on Tuesday in an attempt to come into compliance with the controversial state ban on the teaching of ethnic studies.

The list of removed books includes the 20-year-old textbook Rethinking Columbus: The Next 500 Years, which features an essay by Tucson author Leslie Silko.  Recipient of a Native Writers’ Circle of the Americas Lifetime Achievement Award and a MacArthur Foundation genius grant, Silko has been an outspoken supporter of the ethnic studies program.

“By ordering teachers to remove ‘Rethinking Columbus,’ the Tucson school district has shown tremendous disrespect for teachers and students,” said the book’s editor Bill Bigelow. “This is a book that has sold over 300,000 copies and is used in school districts from Anchorage to Atlanta, and from Portland, Oregon to Portland, Maine. It offers teaching strategies and readings that teachers can use to help students think about the perspectives that are too often silenced in the traditional curriculum.”

© 2012 by Jeff Biggers | Salon.com

>>> To read Jeff Biggers’ full  Salon.com account of Tucson’s heinous book ban, click here >>>

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Authors on Tucson’s Mexican-American Studies Banned Book List Respond


Courtesy COLORLINES.com

Colorlines

By JORGE RIVAS,
Tuesday, January 31 2012, 10:05 AM EST

Go to the original

Arizona’s ban on the Mexican American Studies curriculum used in Tucson high schools went into effect on January 1st. Several authors who are on the banned list have made statements.

“Administrators told Mexican-American studies teachers to stay away from any class units where ‘race, ethnicity and oppression are central themes,’”Jeff Biggers wrote on Salon.com.

That list of banned books includes Occupied America: A History of Chicanos, Paulo Freire’s Pedagogy of the Oppressed, Rethinking Columbus, Critical Race Theory, Shakespeare’s The Tempest and Chicano!: the History of the Mexican American Civil Rights Movement.

The Progressive has compiled responses from authors included in the ban including Sherman Alexie, Winona La Duke, and Junot Diaz.

Alexie’s book “The Lone Ranger and Tonto’s Fist Fight in Heaven,” was on the banned curriculum of the Mexican American Studies Program. An excerpt from his response via The Progressive:

Let’s get one thing out of the way: Mexican immigration is an oxymoron. Mexicans are indigenous. So, in a strange way, I’m pleased that the racist folks of Arizona have officially declared, in banning me alongside Urrea, Baca, and Castillo, that their anti-immigration laws are also anti-Indian. I’m also strangely pleased that the folks of Arizona have officially announced their fear of an educated underclass. You give those brown kids some books about brown folks and what happens? Those brown kids change the world. In the effort to vanish our books, Arizona has actually given them enormous power. Arizona has made our books sacred documents now.

Winona LaDuke responded on the Indian Country Today Network, an excerpt below:

My essay “To the Women of the World: Our Future, Our Responsibility” was also included in the book. Interestingly enough, if I were going to ban one of my essays from a public school, this would probably not be the one. The essay is the transcript of my opening plenary address to the United Nations Conference on the Status of Women in 1995, held in Bejing, China. Other books and writings banned include those by famed Brazilian educator Paulo Friere and, in a multiracial censorship move, Shakespeare’s The Tempest was also banned.

Book-banning has a distasteful history. Catholic priests burned Mayan books in 1562, Nazi Germany banned 4,100 or so books from 1933 to 1939.

Junot Diaz’s book “Drown” was also part of the banned curriculum of Mexican American Studies. Diaz won the Pulitzer prize for “The Brief Wondrous Life of Oscar Wao.” His response to the Progressive is below:

This is covert white supremacy in the guise of educational standard-keeping—nothing more, nothing less. Given the sharp increase of anti-Latino rhetoric, policies, and crimes in Arizona and the rest of the country, one should not be surprised by this madness and yet one is. The removal of those books before those students’ very eyes makes it brutally clear how vulnerable communities of color and our children are to this latest eruption of cruel, divisive, irrational, fearful, and yes racist politics. Truly infuriating. And more reason to continue to fight for a just society.

© 2012 COLORLINES.com

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from AMERICAN INDIANS IN CHILDREN’S LITERATURE (AICL)


Edited and compiled by Debbie Reese

Tuesday, January 24, 2012

AICL Coverage of Arizona Law that resulted in shut down of Mexican American Studies Program and Banning of Books

This is a comprehensive set of links to AICL’s coverage of the Arizona law that led to the shut down of the Mexican American Studies Program in Arizona and the subsequent banning of books used in the program. It will be updated as my coverage continues. My primary source of developments is David Abie Morales, a blogger in Tucson who writes The Three Sonorans.

Sunday, January 15, 2012


Tuesday, January 17, 2012


Wednesday, January 18, 2012


Thursday, January 19, 2012


Friday, January 20, 2012


Saturday, January 21, 2012


Sunday, January 22, 2012


Monday, January 23, 2012


Tuesday, January 24, 2012


Friday, January 27, 2012


Saturday, January 28, 2012


Sunday, January 29, 2012


Monday, January 30, 2012


Tuesday, January 31, 2012


Thursday, February 2, 2012


Friday, February 3, 2012


Monday, February 6, 2012


Friday, February 10, 2012


Sunday, February 12,  2012


Saturday, February 18, 2012


Tuesday, February 21, 2012


Wednesday, February 22nd, 2012


Thursday, February 23rd, 2012


Friday, February 24th, 2012

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Additional information outside of AICL:


For insider updates from Tucson, read these blogs (on a daily basis):

Tuesday, January 24, 2012:

Wednesday, January 25, 2012:

  • CNN is reporting that Norma Gonzales, a teacher who taught in the MAS program, has been reassigned to teach American history and was asked to teach out of a textbook that says the Tohono O’odham tribe mysteriously disappeared. She has two Tohono O’odham students in her class. Among the books no longer being taught in the shut down MAS program is Ofelia Zepeda’s Ocean Power. Zepeda is Tohono O’odham, teaches in the American Indian Studies program at the University of Arizona, and won a MacArthur Genius Grant.

Monday, January 30, 2012:

Efforts to support Mexican American Studies teachers and students:

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To order a copy of Precious Knowledge, a documentary of the Mexican American Studies program (view trailer here):

  1. Send an email to preciousknowledgedvd@gmail.com

  2. Send a check made out to DOS VATOS PRODUCTIONS to:

Dos Vatos Productions

4029 E. Camino de la Colina

Tucson, AZ 85711

The DVD is priced as follows—Individual: $28, Community Group, High School, Public Library, Non-profit: $40, University and public performance rights: $200

© 2012 American Indians in Children’s Literature

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“I’m a native Tucsonan (Born April 18, 1938 at St. Mary’s Hospital) who has lived in San Diego since 1962, working with children as a teacher, vice-principal, principal. I retired from San Diego City Schools in 1999 but I’ve continued working with young people in the areas of drama, writing prose and poetry, playwriting, and movement. I’m a father, grandfather, great grandfather, husband, athlete, and community activist who rises everyday to do what I can to make the world a better place. Working with children makes that a somewhat easy task as they are game for anything.” [Mr. McCray, former Arizona Wildcat, is also a basketball legend  -- A.Y.]


There’s this book ban
in Arizona
which is supposedly
in the USA
where book banning
isn’t supposed to take place
but they went on and did it anyway.

And it happened “quicker than
you can say,
Jack Robinson,”
an idiom
from a long ago day.

Here’s a play by play.
First there was
SB1070
that they say
was to get a hold
on immigration
aka
Harass a Mexican
to make your day.

And before you could yawn
and say: “What’s going on?”
Mexican American Studies
was gone.
And the book banning
came along
like lyrics
free versed
in a rap song.

Lawd, have mercy,
something’s gone
way wrong.
When I took
a look
at the books
on the list
that Arizona doesn’t want to exist,
I wondered,
“Am I stoned?”
It was chilling
to my old bones.
I counted 88.
And according to the
Grand Canyon State,
William Shakespeare’s
“The Tempest”
doth not appeareth too great!
And it blew my mind
to find
James Baldwin’s
“Fire Next Time”
as that book
was as essential
as oxygen
in the development
of my Colored, Negro, Black, African American
social and political mind.
Because of cats like James
I ain’t the least bit blind.
And Paolo Freire,
my main man,
loving mentor to the oppressed,
blessed with the gift to help a people in distress rise like birds lifting to the skies, on to hopes and dreams, banned.
Ain’t that a trip?
Cast aside
by people who’s brains
are made of “Yee! Ha!” and rawhide.
Alongside Howard Zinn,
Ladies and Gentlemen,
our long time friend,
who hipped us
to a People’s History.
Jonathon Kozol
who exposed before us all
the Savage Inequalities,
in our communities,
in our society,
inequities
to which our schools give root.
And those fools
Fahrenheit 451?d
Zoot Suit
and other Luis Valdez plays
that help folks
understand their roots,
their pachuconess,
their vatoness,
their eseness,
their chicaness…;
And down, too,
went Culture Clash.
They flatout don’t want
young Chicanos
to think and laugh.
Oh, man, that’s a gas.
It’s like a mass dash
to bash what they see as the underclass.
And what’s their fear of
“Like Water for Chocolate?”
an immaculate love story
of tense human emotions,
intertwined with food and
recipes and Mexican traditions…

The powers-that-be
simply cannot tolerate imagery
wherein brown children
learn the wonders
of their culture,
who they are,
where they’ve been,
how they’ve come
to the various situations
they find themselves in.
But the powers-that-be
are a bit tardy
because the children
are already
Rethinking Columbus
and the sins
perpetrated against them,
like the one they’re
wrapped up in in this very second.
They already know the truth.
They’ve had Chicano Studies.
Recuerdo?
They live what they’ve learned,
loving life,
feeling good about themselves,
giving to their world,
as that’s what their learning
has concentrated on.
So, powers-that-be,
your hateful ugly grandiose plan
to keep Mexican Americans
from living free
is pretty much over and done.
The Chicanos will win
because when a people
are up on their feet
trekking on a path to full liberty,
a path to a life of dignity,
they can’t help but overcome.
That’s Pursuit of Freedom 101.

Watch out, Arizona!

© 2012 Ernie McCray | From the Soul: An Old Sonoran’s Take on the World

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In memory of Whitney Elizabeth Houston (August 9, 1963-February 11, 2012)

Monday, February 13th, 2012

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© Asterie Tecson | WSWS

The death of Whitney Houston

Hiram Lee
February 13, 2012

World Socialist Web Site

One receives the news of Whitney Houston’s death at the age of 48 with genuine sadness. Houston was a tremendous singer, whose best performances contained a vibrancy and larger-than-life quality, which endeared her to millions of listeners. Her death at a young age is a tragedy.

Houston’s body was discovered in the bathroom of her Beverly Hilton Hotel room in Los Angeles on Saturday, February 11. The cause of death has yet to be determined, but drugs or alcohol are suspected to have played a role. Houston had been struggling with addiction for years and there were reports that the singer was behaving erratically in the days leading up to Sunday’s Grammy Awards ceremony. She was clearly a troubled individual in need of serious help.

©2012 WSWS.org

>>> Read all of Hiram Lee’s reflective obituary of Whitney Houston as it appeared at the World Socialist Web Site. >>>

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YouTube

Saving All My Love for You

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THIS WAS THE BLUES OF LANGSTON HUGHES (February 1, 1902 – May 22, 1967)

Wednesday, February 1st, 2012

painters-palette-clip.jpg

hughes-types-in-sweater.jpg

Such was the blues
of Langston Hughes xxxx

What was the blues
of Langston Hughes?

Like democracy, this page is always under reconstruction

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africawithin.com

“My chief literary influences have been Paul Laurence Dunbar, Carl Sandburg and Walt Whitman. My favorite public figures include Jimmy Durante, Marlene Dietrich, Mary McLeod Bethune, Mrs. Franklin D. Roosevelt, Marian Anderson and Henry Armstrong … I live in Harlem, New York City. I am unmarried. I like ‘Tristan,’ goat’s milk, short novels, lyric poems, heat, simple folk, boats and bullfights; I dislike ‘Aida,’ parsnips, long novels, narrative poems, cold, pretentious folk, buses and bridges.”
– Langston Hughes
(Twentieth Century Authors: A Biographical Dictionary)

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2012

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Clarence Lang named 2011 Langston Hughes Visiting Professor

Courtesy The Oread

When one looks at African American social movements of the 20th century, the political motivations and leaders of those efforts naturally come to mind. Clarence Lang, the 2011 Langston Hughes Visiting Professor, works to look deeper at such movements, to find out how they were informed by the every day activities of working class African Americans …

>>> Click here to read the whole story >>>

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townhalltributelangston2002

200px-LangstonHughe_25 Langston Hughes in 1925

Langston Hughes

Langston Hughes in 1939

Photographs by Carl Van Vechten

hughes

Langston Hughes in 1940

Democracy will not come
Today, this year

Nor ever

Through compromise and fear.

–Langston Hughes

(“Democracy”)

hughes_stamp.gif Clickable

Langston Hughes

February 1, 1902~May 22, 1967

wearyblues.jpg ways-of-white-folks-cvr.jpg dreamkeeper-cvr.jpg mule-bone-cvr.jpg sweetflypaper55-779295.jpg negro-folklore-cvr.jpg panther-lash-cvr-1992.jpg first-book-of-jazz.jpg

7003p-hughesgreat-black-americans-langston-hughes-posters.jpg KSRL_BookofNegros the big sea wonder as i wander

hughes_typing_fullCourtesy photo

A pack of smokes, a desk, a lamp, a typewriter, a telephone, and a nimble-fingered Langston Hughes

jpjohnson-1894-1955.jpg Courtesy photo

James P. Johnson | 1894-1955 Master stride pianist and Harlem composer of “Carolina Shout” and “The Charleston,”"You’ve Got to Be Modernistic,” “Snowy Morning Blues,” symphonic scores, and further classics.

spkr-icon SNOWY MORNING BLUES

in tribute to James P. Johnson & Langston Hughes

New York, you know, has its New Yorks,
Manhattan her Queens, the Bronx
keepers of flames with all their names intact.
Now that’s a fact. Upside it, though,
you’ll put your heart and everything
you know or thought you knew of snow.

When Snowy Morning Blues plays James P. Johnson’s
game of catch-me-if-you-can, you can. He could, too.
New York ain’t no last word, you know.
Nothing’s what it used to be. And you, the you who sees
out past the end of the world, this snow, this wee wind-
fall he fells us with under eaves the way we all fall
under suspicion in detective movies.
Blam! Blame it on the blues, blame it on a blizzard.

Diamonded, grounded in its ice cream crisscross,
snow makes you take to the country again, harmonica in hand,
craving the guitar of a pianistic You-Gotta-Be-Modernistic
genius — you can’t get into this. Let snow tell its own story.
Let the blues roll on. Let snow fall right on time this time
blue, blank, blackening the city-within-a-city christened
in Dutch: Harlem, Haarlem,
Haaaarrrrrlem.
Vermeer, beware.

Al Young

© 2001, 2006 and 2007 by Al Young
from The Sound of Dreams Remembered: Poems 1990-2000; reprinted in Something About the Blues: An Unlikely Collection of Poetry

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lh_boy Historic photo

Langston Hughes in Lawrence, Kansas: Photographs & Biographical Resources
by Denise Low and T.F. Pecore Weso

Langston Hughes, the great American poet who inspired the Harlem Renaissance, spent most of his childhood in Lawrence, Kansas. Authors Denise Low and T.F. Pecore Weso assemble photos & new research about Lawrence sites associated with Langston Hughes. Hughes lived with his grandmother in Lawrence much of the time from his birth in 1902 until his grandmother’s death in 1915. Because of the efforts of Lawrence preservationists, many of the structures are still standing.


hughesstamp LANGSTON HUGHES at PAL
(Perspectives in American Literature):

A Research and Reference Guide
An Ongoing Project

© Paul P. Reuben

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busboypoet

Langston Hughes, the busboy-poet, Washington, DC, early 1920s

« Read the 1967 NY Times obituary account of how busboy on-duty Langston Hughes got “discovered” after he slipped three poems under poet Vachel Lindsay’s luncheon plate at the Wardman Park Hotel, where young Hughes worked. »

Busboys14front

Visit the website of DC’s Busboys and Poets, a restaurant, bookstore, fair trade market and gathering place, where people can discuss issues of social justice and peace. Each Busboys and Poets location should enhance the community — allowing us to bring together a diverse clientele reflective of the surrounding neighborhoods. Busboys and Poets creates an environment where shared conversations over food and drink allow the progressive, artistic and literary communities to dialogue, educate and interact. Busboys and Poets is a community gathering place.

First established in 2005, Busboys and Poets was created by owner Anas “Andy” Shallal, an Iraqi-American artist, activist and restaurateur. After opening, the flagship location at 14th and V Streets, NW (Washington DC), the neighboring residents and the progressive community, embraced Busboys, especially activists opposed to the Iraq War. Busboys and Poets is now located in three distinctive neighborhoods in the Washington Metropolitan area and is a community resource for artists, activists, writers, thinkers and dreamers.

BRASS SPITTOONS

by Langston Hughes

Clean the spittoons, boy.
Detroit,
Chicago,
Atlantic City,
Palm Beach.

Clean the spittoons.
The steam in hotel kitchens,
And the smoke in hotel lobbies,
And the slime in hotel spittoons:
Part of my life.
Hey, boy!
A nickel,
A dime,
A dollar,
Two dollars a day.
Hey, boy! A nickel,
A dime,
A dollar, Two dollars
Buys shoes for the baby.
House rent to pay.
Gin on Saturday,
Church on Sunday.
My God!
Babies and gin and church and women and
Sunday all mixed up with dimes and dollars
and clean spittoons and house rent to pay.
Hey, boy!
A bright bowl of brass is beautiful to the Lord,
Bright polished brass like the cymbals
Of King David’s dancers,
Like the wine cups of Solomon.
Hey, boy!
A clean spittoon on the altar of the Lord.
A clean bright spittoon all newly polished –
Come ‘ere boy!


© Estate of Langston Hughes

This spittoon-shaped poem first appeared in New Masses, December 1926; reprinted in Fine Clothes to the Jew, 1927.

messofnewmasses430px-Fine_clothes_to_the_jew_poems_(2)

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langston-en-route-ussr.jpg
Al Young comments:

Reading in my late teens I Wonder As I Wander — Langston Hughes’ autobiographical follow-up to The Big Sea – I was enthralled and inspired by the tales he weaves of his travels throughout the U.S., Mexico, Cuba, Europe, the USSR, Soviet Asia, and China.
One of Hughes’ lingering memoirs describes a voyage that he and 20 other African Americans took to Russia during the Great Depression to make a movie called Black and White. While his 1956 account of this episode does not match up with documents lately uncovered in the U.S. and in Russia, Hughes’ socio-romantic flashback lives on in imagination. This sunny picture invites us to peer into the faces of some amazingly contemporary-looking passengers, who made that fabled crossing: Langston Hughes with his friends aboard the Europa-Bremen, June 17, 1932. Seated front center from left to right are Louise Thompson Patterson and Dorothy West. On board ship was also Ralph Bunche, who was visiting Paris with Alain Locke.

Photograph courtesy of Yale University Collection of American Literature, Beinecke Rare Book and Manuscript Library


hughes_with_children1.jpg

Hughes poses with neighborhood kids in the cramped, flowering confines of what they called “Our Block’s Childrens Garden” — and long before seed-leasing and genetic modification became commonplace.

(more…)

Santa Clara County poet laureate Sally Ashton’s ‘A Favorite Poem’ link

Monday, January 30th, 2012

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Visit Santa Clara County poet laureate Sally Ashton’s blogspot

* Sally Ashton’s three-voice poem, Stateside, at 99 POEMS FOR THE 99 PERCENT, a blog featuring 99 poems that address the social, political, economic, aesthetic, and cultural realities of the 99 percent


Read “In your body all bodies lie,” the Kenneth Patchen prose-poem that continues to inspire Al Young

Courtesy photo

Jazz & poetry partners Booker Ervin (1930-1970), saxophonist with the Charles Mingus Quintet, and poet Kenneth Patchen (1911-1972)

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Transitions: BOB BROOKMEYER (1921-2011) | JOHNNY OTIS (1921-2012) | ETTA JAMES (1938-2012)

Saturday, January 21st, 2012

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© David Gross | superbone.com

BOB BROOKMEYER: Trombonist, valve trombonist, bandleader, composer and arranger (1921-2011)

Bob Brookmeyer & Friends (Gary Burton, Stan Getz, Herbie Hancock, Ron Carter, Elvin Jones) perform Hoagie Carmichael’s deathless “Skylark” in 1964

BobBrookmeyer.com


Charles Paul  Harris/Getty Images

JOHNNY OTIS: Drummer, vibist, pianist, bandleader, composer, arranger, singer, talent scout, producer, broadcaster, organic farmer, painter, preacher (1921-2012)

The 1989 NPR|Fresh Air Interview

Johnny Otis, R&B’s renaissance man, dies at 90 | Hiram Lee | World Socialist Website | 23 January 2012

Official Johnny Otis website


Courtesy Soul_Portrait
Courtesy newsone.com

ETTA JAMES: Singer, songwriter, bandleader, storyteller (1938-2012)

The 1994 NPR|Fresh Air interview

“Sing like your life depends on it”: Etta James—1938-2012 | Paul Bond | 26 January 2012 | World Socialist Web Site

Beyoncé remembers Etta James




© AP Photo | Ringo H.W. Chiu

Family, friends gather for Etta James’ funeral

Saturday, January 28, 2012  | AP

© NY Times

Etta James: “Something’s Got a Hold on Me” (1962)

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page under construction

AlYoung.org

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